Close ☰
Menu ☰

L-Acoustics training for L-ISA Immersive Hyperreal Sound technology

Posted on: Friday 29th of March 2019

L-Acoustics have announced the availability of training programs for systems and mixing engineers seeking to implement L-ISA Immersive Hyperreal Sound technology, the market-leading object-based mixing technology for live events and installations. In the initial phase of rollout, training sessions will be available by invitation only in L-Acoustics locations in Marcoussis, France; New York City, NY and Westlake Village, CA, and at select partner facilities. Phase two, planned for the fourth quarter of 2019, will extend training to a wider audience.

 

Sherif El Barbari, Director of L-ISA Labs, notes that the accelerated interest and adoption of L-ISA technology have created a real need for a global community of expert users. “L-ISA is gaining momentum everywhere: events, touring, and experiential venues. In addition to live events such as the upcoming Aerosmith Deuces Are Wild Residency or Mark Knopfler’s current tour, we’re seeing the technology installed as the ‘house PA’ in venues such as EartH in London, Theatre Rossiya in Moscow, and on two Princess Cruises vessels. The demand for festivals is growing, too,” explains Sherif. “To accompany this industry shift to multidimensional audio, we want end users to feel fluent in designing systems and mixing with L-ISA. Having personally interacted with many systems and FOH engineers to date regarding L-ISA, I can say that inherent ease-of-use and intuitiveness make the technology quite approachable for new users. This said, object-based mixing is a different way of thinking. We know our end users want to give audiences the best possible experience and there is no substitute for hands-on training to help achieve that goal.”

L-ISA training blends theory and hands-on practice in 3-day seminars, dispensed in half-day sessions, that bring together systems engineers and mixing engineers. Mixing engineers will learn to prepare, encode and mix an L-ISA show. System engineers will learn to design, implement, calibrate, and operate a sound reinforcement project built around L-ISA technology and gain privileged access to the L-ISA Tools feature pack in Soundvision 3.1.0.

The sessions are structured to begin and end with a common core relevant to both certifications, introducing L-ISA technology in a full system approach through tutorials and best practices for live object-based mixing in static and dynamic settings. The program branches out mid-seminar to role-specific sessions for systems engineers and mixing engineers with differentiated tasks, learning paths and objectives. To conclude the seminar, systems and mixing engineers reconvene to discuss L-ISA project management, considering native L-ISA pre-production and guest engineer support, as well as the process of transitioning from stereo to L-ISA. Following the seminar, system engineers and mixing engineers will receive official certification from L-Acoustics acknowledging their completion of the program.

Etienne Corteel, L-Acoustics Director of Scientific Outreach, adds, “Accompanying end users in the optimal operation of our systems through training has always been central to our vision as an organization. Offering L-ISA training worldwide is the next milestone in that ongoing effort. Furthermore, by offering sessions in small groups, we can provide highly relevant and personalized instruction that addresses individual end-user needs and questions. We believe this approach will serve the defined learning goals well, but also foster an environment of peer-to-peer exchanges and enrichment.”

In 2019, L-Acoustics will issue 6,000 training certificates to participants in 50 countries in results-oriented sessions ranging from Systems Fundamentals and Variable Curvature Line Source to L-ISA technology and more.

For information about the  L-Acoustics training offering:

l-acoustics.com/en/training/program

L-Acoustics
Tel: +33 (0) 1 69 63 69 63 / Fax: +33 (0) 1 69 63 69 64
Email:info@l-acoustics.com/ Web: www.l-acoustics.com

 



Latest News & Blog articles

  • After a successful inaugural year (see Resolution V21.2), The Sound of the Year Awards is returning. A celebration of everyday sound in all its forms, the awards are presented by The Museum of Sound in partnership with The New BBC Radiophonic Workshop and others. Submissions are accepted and encouraged from around the world. Anyone over […]
  • Salsa Sound has upgraded its MIXaiR system. The AI-driven automix software for pitch/court-based sporting events, enables you to automatically create an immersive listening experience using standard mic setups without the need for tracking or manual operation. It does this by analysing the signals of multiple inputs and adjusting accordingly to its sports-specifc ‘trained’ AI. The […]
  • Exhibitors are signing up to take part in ISE 2022, due to take place in Barcelona at the start of February. NIGEL JOPSON takes a look. Registration for ISE 2022 is now open, offering the international audio, visual, and systems integration community a long-anticipated opportunity to reconnect in person at ISE’s new home at the […]
  • Merging will show several new introductions at the Amsterdam IBC2021 show, including developments relevant to broadcasters as IP infrastructures and remote production are ever more important. Its Pyramix digital audio workstation is often used for immersive content, and the 25th Anniversary edition of Pyramix included many of the hooks needed to simplify the workflow when […]
  • DPA Microphones has released a new accessory, the MS4099 mic stand mount, for its 4099 CORE instrument mic – and is also shipping brown versions of its 4466 CORE omnidirectional and 4488 CORE directional headset mics (Resolution V21.3). A solution for mounting the 4099 onto any mic stand, the MS4099 can be used for ⅜” […]
  • When AMS Neve got in touch with us to talk about the fact that its iconic 88R desk turns twenty this year, it occurred to us that the history of Resolution is somewhat intertwined with it. The very first issue of this magazine appeared in May of 2002, not all that long after the launch […]
  • Trinnov Audio has announced a complete hardware and software refresh of its D-MON speaker optimisation and management range. The upgrades are designed to deliver new features that can meet customer and studio requirements as the music industry incrementally adopts Dolby Atmos. Effective from December, the current D-MON 6 and 12 hardware units will be replaced […]
  • Fender Musical Instruments Corporation has today announced it has signed a definitive agreement of merger with PreSonus Audio Electronics, Inc. The Baton Rouge, Louisiana based brand is a manufacturer of recording and live-sound hardware. The musical instrument giant, best known for its guitars and amplifiers, is over 75 years old now – but sees potential […]
Translate »