Close ☰
Menu ☰

New DPA 2028 vocal microphone

Posted on: Tuesday 10th of September 2019

The 2028 has been designed to provide a similar aural signature to the brand’s flagship handheld mic, the 4018 VL. It has also been optimised, like the 4018, for the challenges of the live stage. “We have seen a need for an excellent vocal microphone that has the sonic qualities of our d:facto 4018 Series, but at a lower price-point,” says René Mørch, product manager, DPA Microphones. “At only $700, this mic is an overachiever – it performs significantly better than anything else in its price range.”

The 2028 features a brand-new fixed-position capsule, as well as a specially designed shock-mount and pop filter. It exhibits a supercardioid polar pattern, with the famous DPA uniform off-axis response. This gives the microphone a very high-gain-before-feedback and makes it easier to handle bleed from other instruments in close proximity, picking up sound in a natural way.

“We’ve designed this mic so that it sounds like the singer isn’t actually using a mic,” adds Mørch. “You get the full, natural sound of the artist’s voice, not what the microphone ‘thinks’ the artist sounds like. This gives the sound engineer a lot of freedom to be creative – and instead work on crafting a unique sound for the performance based on a clean, natural vocal track.”

With the expected wear-and-tear that comes with live performances, both the outer grille and the inner pop filter of the 2028 can be detached and rinsed. The 2028 is offered in three variants; a wired XLR with handle and two wireless mic configurations that are compatible with the industry’s most widely used wireless microphone systems. This includes the SL1 adapter, compatible with Shure, Sony and Lectrosonics; and the SE2 adapter, compatible with Sennheiser.

www.dpamicrophones.com



Latest News & Blog articles

  • The latest version of Pro Tools 2022.9 transforms Dolby Atmos Production Suite workflows, remote collaboration and music creation through features such as ARA2 (Audio Random Access) integration with Celemony’s Melodyne, and Aux I/O for flexible audio routing. Pro Tools 2022.9 also brings a new offering to the previous Artist, Studio, and Flex tiers called Pro […]
  • Here’s a good combination – one of the most prolific, technical and hands-on of our producer engineers [interview Resolution V19.1] has teamed up with innovative developer Leapwing to build a ‘Signature’ plug-in. “After going through the process successfully with the late Al Schmitt, we found ourselves a new challenge, as Joe uses much more processing […]
  • McDSP has announced the release of universal binary versions of the entire APB plug-in line up. [Resolution V18.4 reviewed the innovative McDSP APB hardware host] McDSP APB plug-ins can now run natively on both Intel and Apple silicon computers. This release also takes advantage of recent mac OS improvements in graphics rendering for both Intel […]
  • Built on core technologies from Synchro Arts flagship Revoice Pro application [review Resolution V17.7], RePitch enables adjustment of the pitch, timing and volume of any monophonic vocal (or instrument).  When you’re simply looking to retune a wayward vocal, just load one of the task-orientated macros to instantly snap your singer to the key and scale of the […]
  • Spherix is a suite of two plugins – a compressor and a brickwall limiter – designed from the ground up for fast, efficient work on the beds (fixed channels) of immersive 7.1.4/7.1.2 mixing environments such as Dolby Atmos. The $199 Spherix suite offers dynamics that are specifically designed for immersive mixing.  Spherix’s quick-access controls, available […]
  • Designed to adapt to changing production needs, Calrec’s Argo is a new approach to audio mixing, with a flexible control philosophy that breaks the traditional geographic ties between processing and control. Argo is fully modular with interchangeable hardware panels and uses Calrec’s time-served Assist UI at its core. This means that whether you are working on […]
  • iZotope has released the latest version of their audio restoration software RX 10. Notable additions to a generally-improved suite are the new Repair Assistant module and improvements to both the Spectral Recovery and Dynamic De-hum modules. The Text Navigation and Multi-Speaker Detection features are a potentially ground-breaking development for audio pros working in specialist fields, but are […]
  • Genelec has added Stockholm and Helsinki to its global network of Experience Centres. By visiting these new facilities, customers will receive expert personal advice on Genelec loudspeaker solutions, and enjoy an exceptionally high quality critical listening environment, from stereo to immersive. The new Nordic locations join existing Genelec Experience Centres in Europe, America and Asia […]
Translate »