Close ☰
Menu ☰

FabFilter Pro-Q 3 equaliser with dynamic EQ

Posted on: Wednesday 19th of December 2018

FabFilter Pro-Q 3 is a major update to the acclaimed Pro-Q equaliser plug-in. Pro-Q 3 improves on its predecessor, introducing dynamic EQ, surround support, per-band mid/side processing, and much more, while maintaining the sound quality and ease of use for which Pro-Q has always been known.

Integrated dynamic EQ – Pro-Q 3 adds the ability to switch any of its 24 bands to Dynamic EQ mode, with a simple, elegant workflow: just raise or lower the Dynamic Range ring around the Gain knob to apply smooth compression or expansion to that band. An intelligent algorithm automatically chooses program-dependent attack, release, and knee settings, while the Threshold can be set automatically, according to the input signal level, or manually.

Surround support – Pro-Q 3 works with all major surround formats, up to Dolby Atmos 7.1.2. The plug-in automatically configures itself to the multichannel format of the hosting surround track, and an intuitive selection panel enables EQ adjustment of multiple channels together.

Mid/side processing – Each individual band can now be set to process only the Mid, Side, Left, Right, or Stereo channels, so users can get truly surgical with their stereo frequency-shaping on a band-by-band basis.

New filter types – Pro-Q 3 adds to Pro-Q 2’s multitude of filter types with the all-new Flat Tilt shape, applying a flat tilting correction curve to the entire audible spectrum. And for those occasions when even the super-steep 96dB/octave roll-off slope isn’t precise enough, the Low and High Cut filter types can now be set to Brickwall mode for the ultimate in top/bottom attenuation.

Improved spectrum analyzer and Spectrum Grab – Pro-Q 3’s spectrum analyzer makes it easier than ever to find and correct problem frequencies in the mix. Activate the new collision detection to view clashes between the source signal and the spectrum of any other Pro-Q 3 instance in the session, and get an instant handle on the most important peaks in Spectrum Grab mode with frequency/note labels.

FabFilter Pro-Q 3 is now available for €149, $179 or £134, supporting both Windows and macOS in VST and VST 3, Audio Units, AAX, and AudioSuite plug-in formats. Bundles with FabFilter Pro-Q 3 and other FabFilter plug-ins are also available at: www.fabfilter.com/shop

Existing FabFilter customers can purchase or upgrade to FabFilter Pro-Q 3 with very attractive discounts by logging into their online user account at: www.fabfilter.com/myaccount



Latest News & Blog articles

  • German studio specialist Neumann.Berlin and Swiss company Merging Technologies – one of the world’s leading manufacturers of high-resolution digital audio recording systems – will now be working together under the umbrella of the Sennheiser group. Sennheiser has taken over the shares of Merging Technologies entirely. With this step, Neumann.Berlin plan to  enlarge its range of […]
  • London-based Twickenham Film Studios (TFS), world class home to filmed entertainment since the silent era, performed the final sound mix for Paramount Pictures’ blockbuster Top Gun: Maverick working in collaboration with Skywalker Sound. The mix was facilitated against the odds in the height of the global pandemic and proved the template for major productions to […]
  • La Casamurada studio in Penedès, Spain, has expanded its monitoring capabilities with a pair of Genelec The Ones 8361 three-way coaxial monitors. The residential studio has built its reputation on delivering a unique experience for artists that draws on all the acoustic benefits of its historic location, while also offering a thoroughly modern technical environment. […]
  • Antelope Audio has introduced a major addition to the functionality set of the Galaxy 32 Synergy Core [review Resolution V21.6] surround and immersive audio monitoring control and speaker calibration functionality. This addition to the flagship interface allows its users to configure and control a surround/immersive monitoring setup of up to 16 channels, or 9.1.6 Dolby Atmos. […]
  • Lectrosonics announced the introduction of the DSR and DSR5P dual-channel and DSR4 quad-channel digital slot receivers. The new receivers are compatible with all the current Lectrosonics mono and stereo digital transmitters and are backward compatible with any of the Digital Hybrid Wireless® transmitters made in the past 20 years. The DSR and DSR5P receivers provide two […]
  • Have Warm Audio saved the best until last? WA‑CX12 is a large-diaphragm tube condenser based on one of the world’s most sought-after microphones, the AKG C12. [A version of which, the C12 VR, is still available from the Harman-owned AKG brand for $6,989]. “The C12, a valve operated condenser, was a marvellous mic”, said Beatles-producer George Martin. […]
  • Expanding on its 30-year relationship with Calrec to satisfy its complex audio needs, OB and technical services provider EMG UK has turned to the company to equip its latest Remote Operations Centre (ROC) in Stratford, London. The installation means that EMG UK continues to use Calrec equipment in all of its UK-based outside broadcast work. […]
  • Production sound mixer Jeff McLain’s Lectrosonics wireless kit consists of three dual-channel SRc Digital Hybrid Wireless receivers, SMWB wideband, LT, and LMb transmitters. He spoke about how Lectrosonics stood up to the rigours of one of the harshest environments he’s worked in — a minerals mine nine stories underground — and other productions. “This was for […]
Translate »