Close ☰
Menu ☰

Darcy Proper wins surround sound Grammy

Posted on: Tuesday 13th of March 2018

Darcy_Proper_60th-Grammys-2018-official-w-Jane-Ira-Bloom_smJim Anderson (mix engineer, L), and Darcy Proper (mastering engineer, R) were awarded for Best Surround Sound Album at the 60th Grammy Awards, for their work on saxophonist and composer Jane Ira Bloom’s Early Americans. Anderson, an internationally recognised engineer and producer for acoustic music in the recording, television, and film industries, has 27 Grammy-nominated recordings in his portfolio, 11 of which have gone on to win the big prize. This was Proper’s fourth win; she has earned a total of ten nominations in her career, the Wisseloord Studios mastering engineer has also featured twice in Resolution magazine (V4.8 and V15.5).

Darcy speakingProper began her career at Sony Music Studios in New York City in the Classical department, later focusing her skills on mastering and broadening her musical scope to include in all genres from historical reissues to cutting-edge surround releases. After twenty years in the big city, she made the jump to Europe, accepting a position as Senior Mastering Engineer at Galaxy Studios in Belgium. In 2010, Darcy became part of the team dedicated to the revival of Wisseloord as director of Mastering.

Proper has mastered historical reissue projects for such prestigious artists as Billie Holiday, Louis Armstrong, Frank Sinatra, Dave Brubeck, and Johnny Cash. She has also worked on stereo and 5.1 front-line releases for many talented artists including The Eagles, Ilse DeLange, Donald Fagen, Anouk, Porcupine Tree, Clouseau, Peter Maffay, Patricia Barber, Alain Clark, Jane Ira Bloom, Marcus Miller, Jef Neve, Ozark Henry.



Latest News & Blog articles

  • DPA have announced the 4055 Kick Drum Microphone, a new condenser microphone designed specifically for use on… kick drums. Recording engineers finally get a quality (and affordable) condenser alternative to their old-school dynamics! Rigorously tested to perform in a variety of applications and suited for use both live and in the studio, the company have […]
  • Previously available only on the Mac, CEDAR Audio is extending the use of its CEDAR Studio 9 to the PC. This is the latest version of the company’s audio processing and restoration suite for AAX Native, VST2, VST3 and AU formats, and includes the latest version of Retouch with its machine-learning Matching and AI-driven Repair capabilities. Pension-off […]
  • Genelec have released version 4.2 of their GLM loudspeaker management software, also introducing a new 9301B multi-channel AES/EBU interface. Aimed at making the configuration and management of Genelec’s Smart Active Monitoring systems even more comprehensive, the manufacturer says these two new additions provide a scaleable and cost effective approach to creating immersive monitoring systems with […]
  • Neve has launched the 88M, their first Dual Mic Preamp and USB Audio Interface, at the NAMM show 2022. Using the same transformer-balanced technology as Neve’s flagship large-format 88RS, the Burnley-based AMS Neve says the 88M “brings the legendary sound of AIR, Abbey Road and Capitol Studios into your home and portable studio setup”. Chief […]
  • The Solo6 and Twin6 are new versions of the powered speakers that made their debuts some 15 years ago, with the new models designed to offer more detail and greater transparency. These improvements have been enabled by improved transducer designs, new amplifiers, and a structurally enhanced cabinet, with the monitors also incorporating features from Focal’s Trio11 […]
  • Spatial Mic Dante is a completely new 360 microphone that opens up applications like broadcast, live sound, theatre production, house of worship and anywhere Dante audio networking can streamline workflows. “Since the release of Spatial Mic USB in 2019, spatial audio pioneers have enjoyed the flexibility of single wire connectivity, highly configurable output and light […]
  • The first in-person TEC Awards since 2020 saw winners announced across 21 technical excellence and seven creative excellence categories. Yes… there was Californian wine and song, extravagant hairstyles (Dorian – but certainly not Gray) and creative awards for musicians who won Grammys before you were born. For only the second time in TEC history, three […]
  • Five-time GRAMMY-winning mix engineer Chris Lord-Alge has upgraded Studio A at his MIX L.A. complex for Dolby Atmos work, facilitated by an interface and converter infrastructure based on Focusrite RedNet components. The Dante-networked RedNet setup helps interconnect two Avid Pro Tools workstations and a new 9.1.4 Ocean Way Audio speaker system with Lord-Alge’s beloved Solid […]
Translate »