Close ☰
Menu ☰

Audio-Technica gets racy with MotoGP

Posted on: Tuesday 24th of September 2019

Audio-Technica has announced its recent appointment as official Microphone Services Solution Provider to MotoGP, the Grand Prix motorcycle racing Championship with 19 Grands Prix held at race circuits around the world every year. The appointment is made by Dorna Sport S.L., the commercial rights holder of MotoGP.

Dorna’s Media Content and Production team were looking to enhance the quality of its audio delivery, to match that of its best-in-class in-house visual programming (which is delivered to 89 Media Partners Worldwide) and began auditioning various Audio-Technica microphone solutions toward the end of the 2018 race season.

Successful tests resulted in Dorna’s decision to select some 265 Audio-Technica microphones, headsets and monitoring solutions including 53 track feed microphones, 76 interview and ENG camera microphones, and Audio-Technica System 10 2.4GHz wireless microphone solutions for 16 roving ENG cameras. Audio-Technica’s new 3000 Series handheld wireless systems and new Engineered Sound 925 goosenecks with Dante endpoints are used for the pre & post-race press conferences, while 30 BPHS1 headsets are deployed at various commentary positions. A selection of 72 M60x monitor headphones and E50 in-ear monitors also allow the MotoGP teams to keep an ear on their live audio feeds. The selected Audio-Technica solutions began to be rolled-out from the first European race of the 2019 MotoGP season at Jerez, Spain in May.

Of particular note is the instant success of the ‘developed for sports broadcasting’ Audio-Technica BP28 (read Resolution review here) and BP28L large-diaphragm shotgun microphones deployed at MotoGP. Daniel Laviña, Media Technical Director, Dorna Sports stated: “We immediately noticed a major step change in track audio acquisition quality when the Audio-Technica shotguns were installed. With their exceptionally wide frequency response and high SPL threshold, they seem ideally suited to the sound of the race, and we can now have great quality audio continuity between one camera position and the next.

Commenting on the appointment, head of global engineering at Audio-Technica Kazuhiro Onizuka said: “We are delighted that we have been selected as MotoGP’s Microphone Services Solution Provider and that Dorna have deployed such a large number of our broadcast microphones, however, I am particularly excited by the close R&D opportunities that we will be able to work on together. Working with Dorna at the actual live MotoGP races around the world is a great extension to our research laboratory, and further demonstrates Audio-Technica’s commitment to sports audio broadcasting.”

www.audio-technica.com

 



Latest News & Blog articles

  • Sweet Justice Sound, have recently updated their South-Coast based UK cinematic post facilities to include two new 7.1.4 ATMOS studios designed by The Studio People in consultation with Dolby Laboratories. The larger 30m2 SJ Studio 1 is built around ProTools MTRX with Madi Atmos RMU, running JBLs M2s, LSR708i, and SUB18 (with Crown amps) for […]
  • At the European Championships Munich 2022 from August 11-21 around 4,700 athletes competed in a total of 176 events in the sports of beach volleyball, canoe racing, climbing, athletics, cycling, rowing, table tennis, triathlon, and gymnastics. It was the largest event to be held in Munich’s Olympic Park since the 1972 Olympic Games. EMG was […]
  • The Audio Engineering Society’s Diversity, Equity & Inclusion committee, in partnership with global built environment consulting firm Arup, is pleased to announce the Diversity in Audio Scholarship. This scholarship will support underrepresented voices in the industry and provide an opportunity for students to connect with and learn from leaders in the profession. “We are proud to […]
  • Lectrosonics has announced a Radio Frequency Scan Database for those using wireless microphone systems anywhere in the world. The database hosts scans from in .sdf (Wireless Designer scan data file) or .csv (comma separated values – a common standard) formats. These files can be used to populate frequency coordination software for analysis purposes and to […]
  • Italy’s state broadcaster RAI has upgraded the music studio at its Fabrizio Frizzi television studios in Rome. The project has seen the studio add new 5.1 surround and stereo systems, based around Genelec’s ‘The Ones’ three-way coaxial Smart Active Monitors. “This is the centre of production in Rome for TV shows, and the room we […]
  • Legendary amp-maker Marshall recently constructed a world-class recording studio (featured in Resolution V21.5) – boasting a 273 sq m. live room and a 40-channel vintage Neve 8048 mixer – next to their Milton Keynes factory in the UK. The control room has been upgraded with a Quested monitoring system at its heart. “It was like […]
  • German studio specialist Neumann.Berlin has expanded its line of reference-class studio monitors with the KH 150. The bi-amplified, DSP-controlled loudspeaker features the same high-resolution tweeter as all Neumann studio monitors and a newly developed 6.5” woofer with ultra-low distortion and high SPL capability. Despite its rather compact format, the KH 150 surprises with outstanding clarity, […]
  • Engineers sequencing and mastering albums in Dolby Atmos face challenges due to the complexity of applying processing to an entire album, and maintaining proper metadata settings for each song before delivering it to a streaming service. Dolby Atmos Album Assembler works as an add-on to the Dolby Atmos Renderer application, purchased separately via the Dolby […]
Translate »