71st Emmy Award nominations – sound – Creative Arts Emmys
Posted on: Friday 19th of July 2019
The Television Academy has announced the nominations for the 71st Emmy Awards, including the categories of outstanding sound editing and sound mixing. HBO’s Game of Thrones secured 32 nominations, the most for any program in a single season. The series received a total of 161 nominations over its eight-season run. Game of Thrones was followed by The Marvelous Mrs. Maisel (20 nominations), Chernobyl (19), Saturday Night Live (18), Barry (17), Fosse/Verdon (17) and When They See Us (16).
The Creative Arts Emmy Awards will air on Saturday, September 21 at 8 p.m. ET/PT on FXX.
The 71st Emmy Awards will air live from the Microsoft Theatre in Los Angeles. Live in Los Angeles on Sunday, September 22 (8-11 p.m. ET live/5-8 p.m. PT live) on FOX.
The Emmy nominations in the sound editing and mixing categories are as follows:
Outstanding Sound Editing for a Comedy or Drama Series (One Hour)
Better Call Saul • “Talk”
Kurt Nicholas Forshager, Sound Supervisor
Kathryn Madsen, ADR Supervisor
Matt Temple, FX Editor
Mark Cookson, FX Editor
Jane Boegel-Koch, Dialogue Editor
Jason Newman, Music Editor
Jeff Cranford, Foley Editor
Game of Thrones • “The Long Night”
Tim Kimmel, MPSE, Sound Supervisor
Tim Hands, Supervising ADR Editor
Paula Fairfield, Sound Designer
Bradley C. Katona, MPSE, Sound Effects Editor
Paul Bercovitch, Supervising Dialogue Editor
John Matter, Dialogue Editor
David Klotz, Music Editor
Brett Voss, Foley Editor
Gotham • “Legend of the Dark Knight: I Am Bane”
George Haddad, MPSE, Sound Supervisor
Chad J. Hughes, MPSE, Sound Editor
Julie Altus, Sound Editor
Ashley Revell, Music Editor
Joseph T. Sabella, Foley Artist
Rick Owens, Foley Artist
Star Trek: Discovery • “Such Sweet Sorrow, Part 2”
Matthew E. Taylor, Sound Supervisor
Tim Farrell, Sound Designer
Mike Schapiro, Sound Effects Editor
Clayton Weber, Sound Effects Editor
Dan Kenyon, Sound Effects Editor
Rickley W. Dumm, ADR Editor
Sean Heissinger, Dialogue Editor
Bob Jackson, Dialogue Editor
Matt Decker, Music Editor
Star Trek: Discovery • “Such Sweet Sorrow, Part 2”
Matthew E. Taylor, Sound Supervisor
Tim Farrell, Sound Designer
Mike Schapiro, Sound Effects Editor
Clayton Weber, Sound Effects Editor
Dan Kenyon, Sound Effects Editor
Rickley W. Dumm, ADR Editor
Sean Heissinger, Dialogue Editor
Bob Jackson, Dialogue Editor
Matt Decker, Music Editor
Tom Clancy’s Jack Ryan • “Pilot”
Benjamin Cook, MPSE, Co-Supervising Sound Editor
Jon Wakeham, Co-Supervising Sound Editor
Hector Gika, Sound Effects Editor
David Esparza, MPSE, Sound Effects Editor
Tim Tuchrello, Dialogue Editor
Alex Levy, Music Editor
Brett Voss, Foley Editor
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour)
Ballers • “This Is Not Our World”
Mark Relyea, Sound Supervisor
David Barbee, Sound Effects Editor
Julie Altus, ADR Supervisor
Chris Kahwaty, Dialogue Editor
Bruno Roussel, MPSE, Music Editor
Damian Smith, Foley Editor
Barry • “ronny/lily”
Matthew E. Taylor, Co-Supervising Sound Editor
Sean Heissinger, Co-Supervising Sound Editor
Rickley W. Dumm, MPSE, Sound Effects Editor
Mark Allen, Sound Effects Editor
John Creed, Dialogue Editor
Harrison Meyle, Dialogue Editor
Michael Brake, MPSE, Music Editor
Clayton Weber, Foley Editor
Love, Death & Robots • “The Secret War”
Brad North, Sound Supervisor/Dialogue Editor
Craig Henighan, Sound Designer
Jordan Wilby, Sound Effects Editor
Troy Prehmus, Sound Effects Editor
Jeff Charbonneau, Music Editor
Russian Doll • “The Way Out”
Alex Soto, Sound Effects Editor
Thomas Ryan, Dialogue Editor
Wen-Hsuan Tseng, Foley Editor
What We Do in the Shadows • “Werewolf Feud”
Steffan Falesitch, Supervising Sound Editor
David Barbee, Sound Effects Editor
Angelina Faulkner, Dialogue Editor
Steve Griffen, Music Editor
Sam Lewis, Foley Editor
John Guentner, Foley Editor
Outstanding Sound Editing for a Limited Series, Movie or Special
Catch-22 • “Episode 1”
Jerry Ross, Sound Supervisor
Doug Mountain, Dialogue Editor
Byron Wilson, Dialogue Editor
Chris Assells, Sound Designer
Jeff Fuller, Sound Effects Editor
Michael Alexander, Music Editor
Clayton Weber, Foley Editor
Chernobyl • “1:23:45”
Stefan Henrix, Supervising Sound Editor
Joe Beal, Sound Designer
Michael Maroussas, Dialogue Editor
Harry Barnes, ADR Supervisor
Andy Wade, Music Editor
Deadwood
Mandell Winter, MPSE, Sound Supervisor
Daniel Coleman, MPSE, Supervising Sound Effects Editor
Ben Cook, MPSE, Sound Designer
Bernard Weiser, MPSE, Dialogue Editor
Brian Armstrong, MPSE, Dialogue Editor
Shane Hayes, Dialogue Editor
Rob Chen, ADR Edit or
Dhyanna Carlton-Tim, ADR Editor
Micha Liberman, Music Editor
Eryne Prine, MPSE, Foley Editor
John Sievert, Foley Artist
True Detective • “The Great War and Modern Memory”
Mandell Winter, MPSE, Sound Supervisor
David Esparza, MPSE, Sound Designer
Micah Loken, MPSE, Dialogue Editor
Bernard Weiser, MPSE, Dialogue Editor
Ryan Collins, MPSE, Sound Effect s Editor
Fernand Bos, MPSE, Music Editor
Jason Wormer, Music Editor
Eryne Prine, MPSE, Foley Editor
When They See Us • “Part Four”
John Benson, Sound Supervisor
Susan Dudeck, Supervising ADR/Dialogue Editor
Bruce Tanis, Sound Designer
Chase Keene, Dialogue/ADR Editor
Jesse Pomeroy, Dialogue Editor
Naaman Hayes, Dialogue Editor
Bobbi Banks, Dialogue Editor
Elliott Koretz, Sound Effects Editor
Mat t Wilson, Sound Effects Editor
Suat Ayas, Sound Effects Editor
Jen Monnar, Music Editor
Outstanding Sound Editing for a Nonfiction Program (Single or Multi-Camera)
Anthony Bourdain Parts Unknown • “Far West Texas”
Benny Mouthon, Sound Supervisor
Hunter Gross, Sound Editor
Free Solo
Deborah Wallach, Sound Supervisor
Filipe Messeder, Sound Effects Editor
Jim Schult z, Music Editor
Roland Vajs, Foley Editor
FYRE: The Greatest Party That Never Happened
Nathan Hasz, Sound Supervisor
Tom Paul, Sound Designer
Jeremy Bloom, Sound Effects Editor
Esther Regelson, Dialogue Editor
Daniel Ward, Dialogue Editor
Leaving Neverland
Ross Millership, Dialogue Editor
Poppy Kavanagh, Music Editor
Our Planet • “Frozen Worlds”
Kate Hopkins, Sound Supervisor
Tim Owens, Sound Editor
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
Better Call Saul • “Talk”
Larry Benjamin, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
Phillip W. Palmer, Production Mixer
Game of Thrones • “The Long Night”
Onnalee Blank, Re-Recording Mixer
Mat hew Waters, CAS, Re-Recording Mixer
Simon Kerr, Production Mixer
Danny Crowley, Production Mixer
Ronan Hill, Production Mixer
The Handmaid’s Tale • “Holly”
Lou Solakofski, Re-Recording Mixer
Joe Morrow, Re-Recording Mixer
Sylvain Arseneault, Production Mixer
The Marvelous Mrs. Maisel • “Vote for Kennedy, Vote for Kennedy”
Ron Bochar, CAS, Re-Recording Mixer
Mat hew Price, CAS, Production Mixer
David Bolt on, ADR Mixer
George A. Lara, Foley Mixer
Ozark • “The Badger”
Larry Benjamin, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
Felipe ‘Flip’ Borrero, Production Mixer
Dave Torres, Foley Mixer
Outstanding Sound Mixing For A Limited Series Or Movie
Chernobyl • 1:23:45
Stuart Hilliker, Re-Recording Mixer
Vincent Piponnier, Production Mixer
Deadwood
John W. Cook II, Re-Recording Mixer
Mikael Stewart, FOH Product ion Mixer
John Harris, Broadcast Music Mixer
Erik Schilling, Broadcast Music Mixer
Ron Reaves, FOH Music Mixer
Thomas Pesa, Foldback Mixer
Michael Parker, Foldback Mixer
Eric Johnston, Playback Music Mixer
Pablo Mungia, Pre-Recorded Music Mixer
Juan Pablo Velasco, Pre-Recorded Music Mixer
Josh Morton, Video Package Audio Mixer
Paul Sandweiss, Video Package Audio Mixer
Kristian Pedregon, Video Package Audio Mixer
Bob LaMasney, Sweetening Mixer
Last Week Tonight with John Oliver • “Authoritarianism”
Steve Watson, A1 Production Mixer
Charlie Jones, Supervising/Pro Tools Mixer
Max Perez, Pro Tools Mixer
Steve Lettie, Front of House PA Mixer
The Oscars
Paul Sandweiss, Production Mixer
Tommy Vicari, Orchestra/Music Mixer
Pablo Munguia, Pre-Recorded Music Programming Supervisor
Kristian Pedregon, Post Audio
Patrick Baltzell, PA Mixer
Michael Parker, Monitor Mixer
Christian Schrader, Supplemental Audio
John Perez, VO Mixer
Tom Pesa, Orchestra Monitor Mixer
Mark Repp, Orchestra Monitor Mixer
Biff Dawes, Orchestra Mixer
Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera)
Anthony Bourdain Parts Unknown • “Kenya”
Brian Bracken, Re-Recording Mixer
Free Solo
Tom Fleischman, CAS, Re-Recording Mixer
Ric Schnupp, Re-Recording Mixer
Tyson Lozensky, Scoring Mixer
Jim Hurst, Production Mixer
FYRE: The Greatest Party That Never Happened
Tom Paul, Re-Recording Mixer
Leaving Neverland
Matt Skilton, Re-Recording Mixer
Marguerite Gaudin, Production Mixer
Our Planet • One Planet
Graham Wild, Re-Recording Mixer
71st Emmy Award nominations – sound – Creative Arts Emmys full list
