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  • Posted on: Tuesday 23rd of November 2021

    Salsa Sound has upgraded its MIXaiR system. The AI-driven automix software for pitch/court-based sporting events, enables you to automatically create an immersive listening experience using standard mic setups without the need for tracking or manual operation. It does this by analysing the signals of multiple inputs and adjusting accordingly to its sports-specifc ‘trained’ AI. The […]
  • Posted on: Tuesday 23rd of November 2021

    Exhibitors are signing up to take part in ISE 2022, due to take place in Barcelona at the start of February. NIGEL JOPSON takes a look. Registration for ISE 2022 is now open, offering the international audio, visual, and systems integration community a long-anticipated opportunity to reconnect in person at ISE’s new home at the […]
  • Posted on: Tuesday 23rd of November 2021

    Merging will show several new introductions at the Amsterdam IBC2021 show, including developments relevant to broadcasters as IP infrastructures and remote production are ever more important. Its Pyramix digital audio workstation is often used for immersive content, and the 25th Anniversary edition of Pyramix included many of the hooks needed to simplify the workflow when […]
  • Posted on: Wednesday 10th of November 2021

    DPA Microphones has released a new accessory, the MS4099 mic stand mount, for its 4099 CORE instrument mic – and is also shipping brown versions of its 4466 CORE omnidirectional and 4488 CORE directional headset mics (Resolution V21.3). A solution for mounting the 4099 onto any mic stand, the MS4099 can be used for ⅜” […]
  • Posted on: Wednesday 10th of November 2021

    When AMS Neve got in touch with us to talk about the fact that its iconic 88R desk turns twenty this year, it occurred to us that the history of Resolution is somewhat intertwined with it. The very first issue of this magazine appeared in May of 2002, not all that long after the launch […]
  • Posted on: Wednesday 10th of November 2021

    Trinnov Audio has announced a complete hardware and software refresh of its D-MON speaker optimisation and management range. The upgrades are designed to deliver new features that can meet customer and studio requirements as the music industry incrementally adopts Dolby Atmos. Effective from December, the current D-MON 6 and 12 hardware units will be replaced […]
  • Posted on: Monday 1st of November 2021

    Fender Musical Instruments Corporation has today announced it has signed a definitive agreement of merger with PreSonus Audio Electronics, Inc. The Baton Rouge, Louisiana based brand is a manufacturer of recording and live-sound hardware. The musical instrument giant, best known for its guitars and amplifiers, is over 75 years old now – but sees potential […]
  • Posted on: Friday 29th of October 2021

    Fraser Jones and Jean Todd of CEDAR Audio USA were on hand to collect CEDAR Audio’s Emmy at the 73rd Engineering Emmy Awards this week at a ceremony held by the Television Academy in Los Angeles. The Award was presented in recognition of the CEDAR Studio suite of noise suppression and restoration tools, which the […]
  • Posted on: Friday 29th of October 2021

    Plug-in creators PSP, have returned to the product area that first established its name nearly 20 years ago with the launch of its new Saturator. The new software emulates the ‘warmth’ and saturation imparted by tape recorders and valve circuits by adding harmonics, filtering, and dynamic processing. PSP Saturator uses three algorithms to emulate these […]
  • Posted on: Wednesday 20th of October 2021

    Based on our Monitor Focus feature from V21.2, this 40-page supplement also features edited versions of our recent interviews with producer Mike Elizondo and engineer Heff Moraes, as well as an exclusive chat with the team behind the fascinating NIRO room optimisation software about its development and capabilities.  You can either read it by maximising […]

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